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Archive for July, 2012

Hey Girl.  Women across the country have been swept off their feet by Feminist Ryan Gosling, the viral tumblr that has spawned countless imitations.  Now, the tumblr has spawned a book as well!  Running Press Books is releasing Feminist Ryan Gosling, The Book – a compilation of some of the best Hey Girl blog entries, along with new material.  As a women’s organization, naturally we would be remiss not to report on such an important new addition to the world of feminist literature.

On Thursday, August 2, at 7:00 PM, Housing Works Bookstore Cafe will be celebrating the release of Danielle Henderson’s Feminist Ryan Gosling, The Book.  The Housing Works Bookstore Cafe is located at 126 Crosby Street, and this event is free to the public.  Presented by Tumblr, the event will also feature WORD and a special appearance by Slaughterhouse 90210′s Maris Kreizman.  For more information on the event, visit the Housing Works website here!

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On July 18th, The New York Times published some surprising news about 2011 book sales: Retailers sold more e-books in the adult fiction genre than hardcover or paperback books.  Of course, if you are an industry insider, this news may not be so surprising after all.  E-books sales have grown exponentially in the past few years, forcing publishers to make drastic changes to their workflows and pricing systems.  The BookStats report that provided the recent e-book data included sales information from nearly 2,000 publishers.  Other data in the article included information on the industry’s overall health and the growth of certain genres, such as young adult fiction.  The following excerpt from the New York Times article provides detailed information on the book industry in 2011.

Survey Shows Growing Strength of E-Books
By Julie Bosman

Over all, digital books kept up their explosive growth in 2011, the survey confirmed. Publishers’ net revenue from sales of e-books more than doubled last year, reaching $2.07 billion, up from $869 million in 2010. E-books accounted for 15.5 percent of publishers’ revenues.

But as digital revenue grew, print sales suffered, dropping to $11.1 billion in 2011 from $12.1 billion in 2010.

The annual survey, known as BookStats, includes data from nearly 2,000 publishers of all sizes. It was conducted by two trade groups, the Book Industry Study Group and the Association of American Publishers.

The survey also revealed that revenue in the overall trade book business was relatively flat. Publishers’ net revenues in 2011 were $13.97 billion, up from $13.9 billion in 2010, an increase of 0.5 percent.

Children’s books, a category that includes young-adult fiction like the hugely popular “Hunger Games” trilogy, grew 12 percent in 2011, to $2.78 billion from $2.48 billion in 2010.

To read the full article, click here!

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The following piece is an excerpt from a blog post by Linda Epstein, published originally on her blog, The Blabbermouth.

I’ve been in a number of conversations recently where I explain to people what I do. I think a lot of people think I’m sitting around my house reading books and eating bonbons. (Maybe that’s just my family… ) Anyway, I’ve explained it a bunch of times now, and that’s forced me to go through the “how publishing works” spiel, to get to the part where I explain what a literary agent does. Then a friend of mine sent a friend of hers to me, because her friend was writing a book and she figured I’d be able to help her figure out the whole publishing thing. After writing the friend’s friend a big old e-mail, beginning to explain how the whole process works, I figured I’d put up a blog post for folks just getting started down this road. So this one’s for you, newbies!

#1. Write a kick-ass manuscript. If you’re writing for kids, you’d better have read a lot of kids’ books. You need to know what Middle Grade (or MG) means. You need to know what YA (Young Adult) means. If you’re writing for adults, you need to know what genre to call your writing. Is it a thriller, scifi, mystery, literary, upscale commercial women’s fiction, self-help, spiritual, romance, fantasy,  western, Christian, erotica? You’ll need to know this for when you write a query letter. (see #4)

#2. When you’ve finished writing your kick-ass manuscript, go back and re-write it. That’s called revision. There are special groups called “critique groups” that you should seek out. Or sometimes people have what they call a “critique partner.” That’s someone who’s (usually) not related to you, who’s not afraid of hurting your feelings, who will give you the truth about your writing. Even if that makes you cry, these people are the key to improving your writing. Re-write your manuscript until it sings to you, until it’s shiny and beautiful, and there’s nothing to improve. You’ll probably still have to revise it after this, but you need to at least think you’re done (for a while).

#3. In order to have an editor at a publishing house want to buy your manuscript (which is how it gets published), you’ll need a literary agent. Some publishing houses accept “unsolicited manuscripts,” which means you can send it directly to them. But most don’t. A literary agent is someone who sells your manuscript for you. You don’t just hire a literary agent though, like a plumber or accountant or something. You see, the literary agent picks you. So in order for you to get picked, you do something called “querying.”

#4. With all your masterful writing skills, you will need to craft a letter (usually an e-mail) that performs a few functions. It’s called a query letter. It a. tells about who you are, as a writer; b. tells about your manuscript in such a way that the agent wants to read the manuscript, piques the interest of the agent, tells enough so the agent requests to read more; and c. conveys information about how to get in touch with you via e-mail and telephone. It does not explain how happy or honored or lucky or miserable you are to be a writer. It does not share that you’re recently off your meds. It does not blow smoke up the agent’s skirt with flattery. It does not tell the whole story (even in a synopsis) of your manuscript. It just does a. b. and c. There are books about query letters. Classes about query letters. Magazine articles about query letters. Places online with information about query letters. Make sure you write a kick-ass query letter. Otherwise nobody will want to look at your kick-ass manuscript.

To read the next five steps in finding an agent, visit Linda’s blog here!

Linda Epstein is an Associate Agent at the Jennifer DeChiara Literary Agency, as well as the Vice President, Communications for the WNBA-NYC Chapter.

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Whether for better or worse, 50 Shades of Grey has solidified its position as the fastest-selling paperback of all time.  With its explicit sexual content, many have credited the book’s success to its controversial nature and public curiosity.  But does the success of the book say anything larger about our culture in general?

Join McNally Jackson on Wednesday, July 25 at 7:00 PM for a 50 Shades of Grey panel that will discuss the book’s meaning (or lack thereof) as relates to our country’s sexual culture.  The panelists will include Erica Jong (Fear of Flying, Sugar in my Bowl), Daniel Bergner (The Other Side of Desire), Ian Kerner (She Comes First, He Comes Second), Melissa Febos (Whip Smart), and Roxane Gay (The Rumpus, Salon).  Each of these women has a unique point of view on feminism and sexuality, which should make for a lively discussion!

For more information on the event, visit the McNally Jackson website here.

Have you read 50 Shades of Grey?  Why or why not?  What do you think the book’s success says, if anything, about feminism and sexuality in our society?

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By Hannah Bennett

By compiling movie reviews and creating a score for each movie, Rotten Tomatoes has made itself an invaluable resource for movie lovers.  A quick look at the website’s ‘tomatometer’ gives you an idea of what the critics thought of each film.  As an avid Rotten Tomatoes user, I’ve often wondered why no such site exists for book reviews.  Apparently, so did the creators of iDreamBooks, a new book review aggregation site modeled after Rotten Tomatoes.

While many readers have come to appreciate the recommendations of Goodreads, those recommendations are crowd-sourced rankings rather than professional reviews.  It’s a matter of personal preference whether the critics’ reviews are more or less helpful than crowd-sourced rankings in choosing your next read.  Many believe that the opinions of the masses, voiced on such websites as Yelp and Amazon, hold more power than the critics these days.  Regardless, what iDreamBooks hopes to offer is a one-stop shop for professional book reviews.  Like Rotten Tomatoes, iDreamBooks provides both the individual critiques and an overall score, along with basic information about the book.

I heard about iDreamBooks through a Huffington Post article entitled, “iDreamBooks Review Site: Rotten Tomatoes For Books?“  The article does an excellent job detailing the challenges and drawbacks in aggregating book reviews.  According to the article,

The site gives Danielle Steel’s romance novel, “Betrayal,” an 87% ranking, and Téa Obreht’s National Book Award nominee, “The Tiger’s Wife,” only 67%. This is likely because book reviewers function differently than movie reviewers: Because of the quantity of books produced each year and the time it takes to read them, it’s uncommon for a reviewer to cover every big hit. Reviewers have fortes.”

However, it is important to remember that iDreamBooks is a relatively new project, which is still expanding and improving.  As it evolves, I look forward to seeing how the book community responds!

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